CURRICULUM
VITAE
of
Dale A.
Olsen, Ph.D.
CITIZENSHIP
ADDRESS
TELEPHONE
(all area code 850) 386-5797
home; 644-5536 private office; 644-3424 music office
FAX (850) 644-2033
E-MAIL dolsen@admin.fsu.edu
OLSEN
WEB PAGES (1) http://music.fsu.edu (2) http://dolsenmusic.com
MARITAL
STATUS Married to M. Diane Olsen (Ph.D.,
Instructional Design); one son
BIRTH
DATE
EDUCATIONAL TRAINING and DEGREES
1959 Diploma,
1964 B.A. in Music (Music History and Flute),
1966 M.A. in Music (Historical Musicology),
1973 Ph.D. in Music (Ethnomusicology),
1981 Shihan in Japanese Kinko-ryû shakuhachi (professional name,
Olsen Bai-ô), awarded by Iwami Baikyoku V,
EMPLOYMENT
1965-1966 Flute Instructor, MacPhail
1966-1968 Peace Corps Volunteer,
University of Chile, Ethnomusicologist with the Chilean
Government.
1969 Flutist, Grant
Park Symphony,
1969-1970 Assistant Professor of Flute,
1972 Teaching Fellow,
1973-1978 Assistant Professor,
1977-1989 Visiting Professor of Ethnomusicology,
Center for Latin American Studies and Center for African Studies,
1978-1983 Associate Professor,
1983--present Professor (Distinguished Research Professor
since 2001),
ADMINISTRATION
1983 National
Chairperson, Local Arrangements Committee, 28th Annual Meeting, Society for Ethnomusicology,
1986-1987 Acting Director, Center for Black
Culture, The
1986 National
Chairperson, Program Committee, 29th Annual Meeting, College Music Society,
1994-2007 Director, Center for Music of the
2002 and 2004 Director, Vietnamese Summer Program,
International Programs, The
2003 National Chairperson, Local
Arrangements Committee, 48th Annual Meeting, Society for Ethnomusicology (joint meeting CMS), Miami, Florida, October.
2003 National Chairperson, Program
Committee, 47th Annual Meeting, The College Music Society (joint meeting with SEM),
ADVISORY
and CONSULTING ROLES
1987, 1990 NEH (National Endowment for the
Humanities) Panel Member.
1988 FEA (
1989 Core Advisory
Board for WQED/Pittsburgh television series "The Music of Mankind" (Metropolitan Pittsburgh Public
Broadcasting)
1989-1991 NEA (National Endowment for the Arts)
Site Reviewer,
1991-2001 Multicultural music consultant for
Silver-Burdett Inc.
GRANTS, AWARDS and DISTINCTIONS
1972 Venezuelan
Indian Project Grant; Clifton Webb Award, UCLA (research in
1973 Ph.D.
Dissertation with Distinction, UCLA
1974 National
Endowment for the Humanities, Summer Stipend (research in
1979 Fulbright-Hays
International Exchange of Scholars Fellowship (
1979
1980
1980 Developing
Scholar Award, The Florida State University (research in
1982 COFRS
Award, The Florida State University (research in the
1985
1986 Sabbatical, Spring Semester (article preparation)
1987 President's Travel Grant (presentation and research
in
1988 President's Travel Grant (presentations in
1989 COFRS Award, The Florida State University (research
in
1991 Learning Systems Institute Grant, The Florida State
University (multicultural music education, "minority musics in
1993 COFRS Award, The Florida State University (research
in
1993 Sabbatical, Spring Semester (research in
1994 Council for Instruction, Planning Grant, The
1996 President's Travel Grant (concerts and research in
1996 Learning Systems Institute Grant, The Florida State
University (distance learning, "Music Cultures of the World")
1997 Distance Learning Grant, Provost, The
1998 COFRS Award, The Florida State University (research
in
1999 President's Award for Exemplary Use of Technology in
Instruction, The
1999 Provost's Travel Grant (conference and research in
2000 Council for Instruction Grant, The Florida State
University (distance learning, "Music Cultures of the World")
2001 Sabbatical
(research in
2001 Distinguished Research Professor Award, The
2002 (summer) Vietnam Program, The Florida State University
Overseas Study Center (Director)
2004 (summer) Vietnam Program, The Florida State University
Overseas Study Center (Director)
2005-2006
John
Simon Guggenheim Memorial Fellowship Award
2006 (summer)
2007 (summer)
2008 (summer)
OFFICES
HELD
1981-1982 President, Southeast/Caribbean Chapter
of the Society for Ethnomusicology.
1984-1986 Member-at-large, Board of Directors,
Society for Ethnomusicology (national office)
1984-1986 Member, Council, Society for
Ethnomusicology (national office)
1986-1990 Member, Board of Directors,
1987-1989 President,
1988-1989 President, Southeastern/Caribbean
Chapter of the Society for Ethnomusicology
1991-1993 Secretary, Southeastern/Caribbean
Chapter of the Society for Ethnomusicology
1993-1997 President, Southeastern/Caribbean
Chapter of the Society for Ethnomusicology
1992-1995 Board Member for Ethnomusicology, The
College Music Society (national office)
1995-1997 First Vice President, Society for
Ethnomusicology (national office)
1998 President-Elect,
The College Music Society (national office)
1999-2000 President, The College Music Society
(national office)
2001 Immediate Past-President, The College
Music Society (national office)
EDITORIAL
EXPERIENCE
1987 Sounds of the
World. Volume editor for Music of
Latin America.
1989-1998 Garland Encyclopedia of World Music, co-editor with
Daniel E. Sheehy of Vol. 2, "Music of
South America, Mexico, Central America, and the Caribbean."
1990-1994 Recording Review Editor, Ethnomusicology,
Journal of the Society for Ethnomusicology.
2000-2001 Garland Handbook of Latin American Music, co-editor
with Daniel E. Sheehy.
2006-2007 Garland Handbook of Latin American
Music, 2nd
edition, co-editor with Daniel E. Sheehy
PROFESSIONAL
SOCIETY MEMBERSHIP
(past and
present)
American Musical Instrument Society
(AMIS)
College Music Society (CMS)
International Council for Traditional
Music (ITCM)
Society for Asian Music (SAM)
Society for Ethnomusicology (SEM)
Music Educator's National Conference
(MENC)
American Society for Technology in
Music Instruction (ATMI)
PROFESSIONAL
LECTURES AND WORKSHOPS (not including scholarly meetings [see below], since promotion to full
professor)
1985 Summer Institute for Teachers (Latin American music), Center for
Latin American Studies,
1986 Summer Institute for Teachers (Latin American music), Center for
Latin American Studies,
1987 Symposium on the Teaching of World Musics in the Undergraduate
Curriculum,
1988 Institute for Music in General Studies (Latin American music),
College Music Society,
1990 Pre-conference Symposium Workshop (teaching Latin American and
Caribbean musics) in Multicultural Music Education, Annual Meeting of the Music
Educator's National Conference, Washington D.C., March.
1990 Workshop in World Music (Andean music), University of Colorado,
Boulder, CO, July.
1990 Workshop in Arts Education (Latin American and
1990 Workshop for high school teachers (teaching African and
Afro-Cuban music),
1992 Consultant and speaker to music faculty at
1992 Workshop for high school teachers (teaching African and
Afro-Cuban music),
1993 “Ethnomusicology and Latin American music.”
1993 "Music and Shamanism in
1993 "The Ethnomusicology of
1995 Director of Workshop in World Music Performance (Brazilian samba,
1995 Master of Ceremonies, "Music of the African Diaspora"
(From West Africa to the
1996 "Music of the Warao of
1998 "Music as Power Among the Warao of
1998 "Music of the Rain Forest and Flutes of the World,"
Lecture Series, Atenisi Institute, Nuku'alofa,
2002 "The
Shakuhachi as a Research Tool among Japanese Immigrants in
2003 "Music
as Power in the Rain Forest,"
2003 "The
Music of
2003 "Music
of
2004 "Music
and Shamanism of the Warao,"
2007 “Music
and Shamanistic Healing among the Warao Indians of the Venezuelan Rainforest.” The
Rey M. Longyear Lecture, Keynote Address for “A Day of Latin American Music” Conference,
PARTICIPATION AT SCHOLARLY MEETINGS (since promotion to full professor)
International Meetings
1985 "The Flutes of
1986 "The Pipers of
1986 "Flutes of
1988 "Music Technologies & Intellectual Implications in the
Pre-Columbian
1989 "Music as Music, Dance as Dance Among the Warao of
1999 "Iwami Baikyoku V: A Japanese Immigrant Composer and Master
Musician in
1999 "Keeping Up Traditions, Breaking Down Barriers: A Century of
Nikkei (People of Japanese Heritage) Music in
2000 "Music and Japanese Identity in
2001 "Internet-Based
Distance Learning, Instructional Design, and Interactivity: The Asynchron
Instruction of a World Music Cultures Course on the Internet."
International Meeting of the College Music Society,
2001 "How
to Teach Irish Music Without Being a Specialist in Irish Music: World Music
Instructional Design." International Conference of The College Music
Society,
2005 "'I
know how to sing and dance!' Spanish sesquiáltera
music/dance genres and their Latin American derivatives: indicators of Spanish
colonialism, musical syncretism, and
2007 “Female
Pop Singers, Sexuality, Goddess Cults, and the Politics of Neatness in
Twenty-first Century Vietnam.” International Conference of The College Music
Society,
National Meetings
1973 "Music
and Shamanism of the Warao Indians of
1973 "Shamanistic
Curing Music of the Warao Indians of
1974 "Music-Induced
Altered States of Consciousness aong Warao Shamans and other Healers." 19th
Annual Meeting, Society for Ethnomusicology,
1976 "Shamanistic
Music as a Determinant of Ethnic Identification among some Northern South
American Indian Cultures." 21st Annual Meeting, Society for
Ethnomusicology,
1981 "Music,
Cultural Identity, and Freedom of Expression among the Japanese and their
Descendants in
1983 Discussant
for "The Music/Myth Nexus in Lowland
1984 "The Flutes of
1984 "A Japanese Master Musician in a Brazilian Context."
29th Annual Meeting, Society for Ethnomusicology,
1986 "Ethnomusicology
in the
1987 "The Ethnomusicology of Archaeology: A Model for Research in
Ethnoarchaeomusicology." 32nd Annual Meeting, Society for Ethnomusicology,
November,
1988 "Usefulness of Study Guides in Teaching World Music."
33rd Annual Meeting, Society for Ethnomusicology, October,
1988 "A Multicultural Approach to the Teaching of World Music
Cultures." 33rd Annual Meeting, Society for Ethnomusicology,
1989 "Performing
Transplanted
1989 "Eurocentrism versus Multiculturalism: Contemporary
Approaches to Teaching Music."32nd Annual Meeting of The College Music Society
(CMS), in
1989 "Philosophy, Organization, and Teaching Strategies for World
Music Courses." 32nd Annual Meeting of The College Music Society,
1990 Presentation,
"Teaching Hispanic American Music." Pre-conference Symposium on
Multicultural Music Education, Annual Meeting of the Music Educator's National
Conference,
1990 "Panpipes of
1991 "World Music and Ethnomusicology: Understanding the
Differences." 34th Annual Meeting of the College Music Society,
1992 Keynote speaker at World Music Conference,
1992 "The Ethnoarchaeomusicology of the Moche Native Americans
from the
1995 "...no es música"--Karaoke, identity, and the teaching
of Japanese values through song among people of Japanese ancestry in
1998 "Music Faculty in Higher Education." Music Educator's
1999 "Harps of
1999 President's
Keynote Address, "The State of the Society." Annual Meeting, The College
Music Society, Denver, CO, October
2000 President's
Keynote Address, "The State of the Society." Annual Meeting, The College
Music Society,
2001 "Internet-Based Distance Learning, Instructional Design, and
Interactivity: The Asynchronous Instruction of a World Music Cultures Course on
the Internet." Technology in the Classroom and Beyond: Hypermedia,
Internet, and Other Electronic Resources. Annual Meeting, Society for
Ethnomusicology,
2002 "Nobody
fishes until the pelican sings": Ancient ocarinas for supernatural
communication from the altar of a northern coastal shaman in
2002 "Teaching
Native American Music via Native American Pop". Annual Meeting of the
College Music Society,
2002 "Calling
the Spirits from the Mountains to the Sea: Ancient ocarinas for supernatural
communication among the Moche of Peru." Annual Meeting, Society for
Ethnomusicology, Estes Park, CO, October.